Lost the Plot
May 11th
What are we doing?
It’s a good question to ask ourselves from time to time. Few people start off wanting to move away from the central point of glorifying God. Instead, it happens almost imperceptibly. And if we continue to fail to train ourselves to stop and look around every so often and honestly question why we’re doing the things we do, that imperceptible drift becomes almost inevitable.
This may be old news to a lot of you, but a few days ago I somehow came across an interview from a few years back, talking about the Newsboys scandal of the late ’90′s. The article is linked to there if you want to read it rather than me explaining it, because if I went through something like that, I’d want to be able to tell it in my own words too, rather than having the story told in someone else’s words around the internet. The important part is that one of the members became involved in illicit sin, was asked to leave, and then the official statement was that he was leaving to do church ministry. (Thank God that that is in the past, and He seems to have restored the folks involved.) Ironically, around that same time, they released a song containing these lyrics:
“Are You still listening
Because we’re obviously not.
We’ve forgotten our first love
We have lost the plot.”
Now I’m not really a Newsboys fan. I remember owning some albums in the ’90′s, mostly due to the fact that I was 10 years old, and 10-year-old little boys from Christian families listen to the Newsboys. I have to admit still listening to those ’90′s albums; I’m not sure if it’s because I subconsciously associate them with my childhood, because Jody Davis is a fantastically tasteful guitarist when they let him play, or because ‘Going Public’ is basically U2′s ‘Zooropa’ with more compression and overtly Christian lyrics. Probably a little bit of all of those. But I do know for sure that part of the reason is lyrics like those above. Not every song had them…but some of the ones that Steve Taylor helped write, had an honesty found often in the Psalms, and not often in Christian music.
Interestingly enough, in the article I linked to, the former Newsboys member refers a couple times to ‘losing the plot.’ I checked the liner notes, and he did not have a hand in writing or singing that particular song. But perhaps it was making an impact on him as he left. And it’s making an impact on me, or rather bringing to point something that has been brewing for a while. The last couple years for me have seen a lot of church scandal, both locally and nationally. Leaders who have failed. Pastors who have done the unthinkable. People wrecked with doubt over believing themselves to be have been healed of an ailment by someone, only to find out later that while they were healed, that person had had a secret life contrary to God. And then to combat that ever-growing doubt, we scramble to get closer to God, to bring on more elders, to increase accountability, to change our church by-laws…etc., etc., etc. And I’m glad we do that. But statistically, it’s not really working to bring about less scandal.
David slept with Bathsheba, and thousands of years later, despite our most valiant (and I mean that sincerely) efforts, nothing has changed. This has really hit home for me in the past two years, as I’ve seen six churches within my home town go through this. Mega-churches. Mid-sized churches. And small churches. Non-denominational and ultra-denominational. All the things that I’ve said over the years…’Well, that’s the problem with the charismatic church’, or ‘Well, that’s the problem with a congregationally-run church’…they just don’t matter. I’ve seen it happen everywhere.
And as I got to thinking about it, I started to wonder if this will ever change. Meaning, as long as we live in a sinful world, will this ever change? What if Peter had been the pastor of a church? His church would’ve melted after he denied Christ publicly. Moses killed a dude. Abraham slept with his servant. James and John wanted to be at Jesus’ left and right hands. All things that perhaps would’ve disqualified these guys from ministry for at the very least a few years by our current standards.
For those of you getting a little worried about me after that last paragraph, don’t worry; this is not the point where I say, ‘Well…everyone fails, nothing you can do about it, so let’s live and let live and keep on preaching the Gospel!’ Not in the slightest. We live in a real world where there are consequences that God has set up for some very good reasons. Pastor embezzles money? I’m gonna have a hard time giving money to that church. Elder mistreats and neglects his wife? I can’t send my younger friends to him for pre-marital counseling. Rockstar sleeps around? Gonna have a real hard time listening to him sing about the contentment found in Christ alone. Real world consequences, real world stepping out of ministry. It’s just how it is.
But…this is the point where I talk about our culture’s fascination with church leaders, church rockstars, church authors. See, if history has taught us anything, it’s that people will fail. Christian leaders absolutely not excluded. And that brings consequences for those people. The issues is, that it also brings consequences for hundreds, thousands, millions of people around them. The scandal is not that someone sinned. The scandal is that people were trusting this person not to sin. This person was romanticized, made into a hero, thought to be above sin, looked to for answers and purpose, and then they crashed and burned, wrecking all our hopes and faith along with them. And that is what I believe needs to change: a culture where we look to people instead of God.
Of course, we don’t often put this into words. If someone asked us why we went to church, we would say for God. But this culture of subtle hero worship is defined not through our words, but through our actions. For instance, I quite often hear, ‘Ah man. Did you hear what Chan said in his latest podcast?’ And let’s be clear, nothing against speakers with podcasts. Those are great. But, and I could be way off here, if what he said made a lasting impact on your spiritual life, wouldn’t you be more apt to say, ‘Ah, man. I can’t believe what I learned about God this week!’ It’s a subtle difference, but if the podcast and the pastor are only the means to the end of glorifying God, wouldn’t we have just a few less instances of people getting excited about the means, and a few more instances of people getting excited about the end result? In many ways, Christianity has become slightly less about people loving God, and slightly more about a passion or a hobby. Some people like the Denver Broncos, and discuss all things relating to football; but not for the end result of playing football…just simply because they’re a football fan. Others like listening to preachers on podcast and discussing all things related to ministry and theology; but not for the end result of how that theology can help us glorify God more…just simply because they’re a Christian. And if we were a little less hero-focused, and a little more God-focused, I think we wouldn’t necessarily have to change what we say, but that what we say would flow naturally from the fact that we’re not viewing these preachers as anything more than guys trying to get us closer to God. And I’m going to assume that the majority of these preachers would agree (hopefully), and would be overjoyed to see their names ‘trending’ less on Twitter, but the Godly concepts they helped bring to light, trending more.
Another thing I hear quite often is, ‘Dude! That Hillsong concert rocked!’ or ‘The new Elevation Church album was so epic!’ Again, nothing wrong with that. Hillsong, thank you for rocking the concert, and Elevation Church, thank you for epicly producing another album. I just think that if the focus were worship of God, you’d hear a lot more often than you do, ‘Dude! I’ve never worshiped God so freely before’ or ‘Last night I just sat in my room, turned on this album, and lost myself in prayer. It was epic.’ And I just don’t hear those things too often. I hear so much about the heroes, who are supposed to be…if I can use a very Christian metaphor here…the donkey on which Jesus rides into Jerusalem. That’s our role, and the role of all Christian celebrities, or heroes, or whatever you want to call them. The plot is about Jesus. And we are supposed to celebrate Jesus. And we pay upwards of $40 to celebrate Him sometimes. I’m not saying paid worship concerts are bad; but we market them as worship with posters of people lifting their hands to God, all the lyrics are pointing towards God, we call it a worship concert, but then we pay $40 to see a band. If that’s for entertainment, or art that’s God-centered, then cool. But if you market it as worship, then we should probably be attending in order to simply worship, should talk afterwards about God and not the band, and pay our $40 as an offering to help pay for the band’s gas or plane ticket. And if it is all about worshiping, then maybe we have to ask ourselves why we spent $40 instead of just going to a local church worship night for free. So maybe it’s not exactly all about worshiping, and is somewhat about the band and the celebrities. Which is not sinful or wrong, and maybe that band does give a great experience where you can let go and worship God; but a $40 experience? If it’s the presence of God we’re looking for, I think He’s also at the local church worship night, our late night Bible-reading, our visiting a friend in the hospital, or in taking care of a wife or family who may need us. We might need to admit that these paid concerts are for more than just God’s presence. Which could be fine…I’m all for concerts, and it’s not bad or sinful to enjoy a worship band for art’s sake, or entertainment’s sake with a positive message; but it does go to help prove the point that we do tend to be a very celebrity-driven culture, and church culture.
It is this very celebrity-driven culture within churches that causes people to become so wrecked after church scandals. Rather, what if we all saw each other as human, and somberly prepared for these scandals? And definitely dealt with them Biblically when they arose, but also were so real about them, that we set church and Christian culture up differently so that everything did not rest upon the charisma of one person, or one worship band, or one movement? But it rested upon Christ alone, and the glorification of Him as the main plot, which everything else supported. Ironically, we might even see less scandals. Worship albums, Christian books, podcasts, pastors, paid worship concerts…keep them all, if you want. But keep them in their proper place of mere support beams for this glorification of a huge God of which we may have lost sight. Nobody starts off wanting to replace God with a concert, or a person, or a culture. But as we use these things with good intentions to glorify God, sometimes they become all God is to us. And that needs to change. It’s a subtle shift in our mindset. But a shift that puts God back in His rightful place in our lives and our culture, and downgrades people, celebrities, and ideas to tools in the quest to love and glorify that God, is a shift that could have universal consequences.
“Once we could follow,
Now we cannot.
You would not fit our image,
So we lost the plot.
Once we could hear you,
Now our senses are shot.
We’ve forgotten our first love.
We have lost the plot.
When I saw You for the first time
You were hanging with a thief
And I knew my hands were dirty,
And I dropped my gaze.
Then You said I was forgiven
And You welcomed me with laughter.
I was happy ever after.
I was counting the days
When You’d come back again.
We’ll be waiting for You
When You comin’ back again?
We’ll be ready for You
Maybe we’ll wake up when…
Maybe we’ll wake up when
You come back again.
Lies.
Let’s be blunt.
We’re a little unfaithful.
What do you want?
Are You still listening?
‘Cause we’re obviously not
We’ve forgotten our first love
We have lost the plot.
And why are You still calling?
You forgave, we forgot.
We’re such experts at stalling
That we’ve lost the plot.
Lost the plot.”
As always, I’m a person; so as such, this could be dead wrong. But I think there’s some merit to it. I’m not against any of this stuff; on the contrary, I’m for it in it’s proper place…with the glorification of Christ alone as its purpose. The plot is God’s glory, and if we don’t like the answer to the question of ‘What are we doing?’, then it may be time that we, myself included, brought Him back into it.
Karl.
Decoding Your Worship Leader
May 6th
I’ve pretty much done almost all of these, so I’m kind of exposing all my secrets.
If you’ve ever played with me, just pretend you’ve never heard me say these. But here’s your favorite worship leader phrase, and what it really means:
- “I really can’t hear my voice at all.” = I still have some other instruments in my monitor.
- “It could just be me, but I’m hearing…” = It’s not me.
- “Was I off-key there?” = First person to actually say yes gets a death stare.
- “I feel like my monitor’s low.” = Turn my voice up in the monitor.
- “What you’re playing is great, but…” = What you’re playing is not great.
- “Can the drums go BOM bom bom BOM bom bom bo bom BOM bo bom BOM bo bom DO DOT DO DAT DAT” = “Drums play ‘With or Without You.’
- “Just play whatever you want.” = Play a driving riff in the key of G on the 8th notes alternating between the 1 and the 5 notes.
- “Maybe we should listen to the cd.” = This is not even working a little.
- “Can you just play pads there?” = Can you not play piano there?
- “I’ve been getting over a little cold for a while now, so…” = I’m insecure about my voice.
- “Can a couple of you just sing melody?” = The 7-part harmony is killing me.
- “I need everyone there at 7:30 sharp!” = Show up around 8:15.
- “U2 is so cliche.” = I wish I was Bono.
- “Chris Tomlin is so over.” = My songs would’ve won a Dove Award…it’s just all about who you know.
- “Hey, you can use my amp.” = Your POD sounds terrible.
- “What if you tried this.” = Play this now.
- “Hey, did you happen to listen to the mp3′s?” = You didn’t listen to the mp3′s, did you.
- “As the pastor mentioned…” = The pastor did a pretty good job, but here comes the real sermon.
- “As the lights come down…” = The lights should have come down five minutes ago.
- “As the band stops playing…” = Why in the world is the band still playing?
- “As we gather this morning in this place…” = I was thinking about the chord changes so much that I can’t think of any words to pray.
- “You sing!” = I forgot the lyrics.
- “Let’s just take this moment to reflect…” = My capo is on the wrong fret.
- “Everyone turn around and greet someone you don’t know.” = I have to change guitars.
- “I heard there was a secret chord, that David played…” = I wish I was on American Idol. And/or Shrek.
- “Let’s just start this morning off with a moment of silent prayer…” = Where is my drummer?!
- “This is a new song.” = I wrote this song.
- “I wrote this song.” = Check out the bookstore for my new record.
- “Put your hands together!” = I know that sounds awkward, but so does ‘Clap!’
- “Phil Keaggy once told me…” = Phil Keaggy said ‘Hey man, thanks’ after I adjusted his monitor when he played a concert at my church, and I can and do interpret those words so many different ways.
- “I just don’t know if that song reaches the congregation anymore.” = I can’t tweet a setlist to all my worship leader friends that has ‘How Great is our God’ in it and maintain any semblance of relevant post-emergent-ness.
- “I’m really more of a worship architect.” = Random nonsense words. (Dude. You’re a worship leader.)
As always, not trying to step on any toes here, and as mentioned earlier, this is moreso making fun of me, as I’ve done just about every one of these. Well, ok…it’s making fun of us collectively.
Just seems like life goes a whole lot smoother when we can take ourselves just slightly less seriously than we tend to do. And we could all probably stand to do each of these just a little bit less, and treat people better than the production, as I can forget at times. Big God, small us.
Splendid.
Karl.
P.S. And for the record, this is the quintessential ‘Hallelujah’ version. All the way back in the ’90′s. I know I’ve posted this a few times before, but every time I do, there’s folks that say thanks because they didn’t know he made it famous and have never heard his version. And this is the first time I’ve ever posted the ‘Live at Sine’ cut, which is in my opinion, the best one. Oh, and ‘quintessential’ = “I don’t know what I’m saying, but it sounds cool.”
And if you’re really into it, here’s the also amazing recorded album version. Still a one take, and you can hear the producer at the end go, ‘Wow.’
Well, Hello Jonny Buckland!
May 3rd
…is what I hope to say tomorrow whilst shredding wonderfully toneful riffs through a Divided by 13 RSA23 at True Tone Music tomorrow when Coldplay’s guitarist walks in and says, ‘Wow, you’re a great guitarist. You’re the best guitarist I’ve ever heard!’ due to his face being melted off with tastefulness.
Unfortunately, you can’t get close to the stage with Coldplay by camping out like you can with U2, so since the tickets went on sale while I was on stage playing on a Sunday morning, we’re up in the ‘view section’ (worst marketing ever). So the music will still be amazing, but in order to have a chance of pontificating on tone to Chris and Jonny and then subsequently being put in my place, I’ll need to ambush (uh…run into) them before the show somewhere amongst the many guitar shops in LA which is of course where they will be.
I will be tweeting the journey from my two Twitter accounts:
One of those goes to my Facebook Music page, and one does not, so it just depends on how badly I want to clutter facebook. Subscribe for…well…probably a whole lot of nothing. But the show will be spectacular, and I am stoked. Jonny, if you’re reading this (he’s not), if you can throw out pedals and not picks afterwards, that would be lovely.
I would also settle for a quick dialogue about tone, gear, and really just life in general beforehand.
Splendid.
Karl.
P.S. The Vangelis-inspired song they won’t play but I hope they do!
Half Power Switches
Apr 27th
…are best when off.
Got to play an outdoor deal today using all 4 EL84 tubes for the first time in a long time. And it was lovely. I’ve spent a lot of time, money, and effort to get my rig to sound good at low volumes. And it’s just so great when I don’t have to use any of it.
As always…if it sounds bad, just turn it up.
Splendid.
Karl.
Gear, Rig, & Pedalboard Update – with Ambient Walk-Through
Apr 20th
Took me a while, but it’s finally done. And in that spirit, I won’t bore you with some long intro making fun of Kurt Russell in Soldier. And Mowgli. And if you get that reference, you grew up in the ’90′s and had The Family Channel.
First Example of Tone from the Rig
Guitar Rig – April 2012
Guitars
–Prairiewood Hardtop (Wolfetone Dr. Vintage pickups, coil tap on bridge pickup)
–1996 G&L Fat Strat (Duncan in the back, soon to be Anderson, coil tap on the bridge humbucker)
–Godin FFX acoustic & electric (soon to be Wolfetone Marshallhead and Wolfetone Dr. V pickups, coil taps on both pickups)
Meaning, I have the pickups sitting on my desk and am lazy.
Pedalboard
Hartman Vintage Germanium fuzz–>
Fryette Valvulator buffer–>
Skreddy Lunar Module silicon fuzz->
Loop-Master bypass strip–>
(Tuner Out–>Peterson Strobostomp
(Loop 1–>Electro-Harmonix LPB-1 boost
(Loop 2–>Ibanez TS7 overdrive (modded, and in hot mode, used as a fuzz)
(Loop 3–>Boss OD1 distortion (original, possibly 1979/80…the insides don’t seem to fit any listed specs)
(Loop 4–>Creation Audio Labs Holy Fire overdrive/compressed distortion
(Loop 5–>Fulltone Fatboost v1 (12 volts)
(Loop 6–>Electro-Harmonix LPB-1 boost
Loop Master bypass strip–>
(Loop 1–>Arion SPH-1 phaser (original, ’80′s)
(Loop 2–>Danelectro Tuna Melt
(Loop 3–>George Dennis optical volume pedal
(Loop 4–>side one of Digitech Jamman
(Loop 5–>Strymon Brigadier
–>Strymon Timeline
(Loop 6–>Arion SAD-1 delay (black box version)
(Loop 7–>Strymon El Capistan delay and reverb
(Loop 8–>side two of Digitech Jamman
(Loop 9–>Boss NF1 noise gate (possibly something else soon…I’ve never turned this on)
Strymon Blue Sky reverb
Amp
Matchless HC30 (modded first channel to Spitfire specs, JJ tubes)–>
65 Amps birch 2×12 cab (Scumnico 30 mic’d & Celestion Blue sometimes mic’d)
Ambient Pad Rig
My guitar pre-recorded in all 12 keys loaded onto an iPod–>
Ernie Ball VP Jr.–>
Epiphone Valve Jr. or direct box
Secondary Acoustic Rig
Boss TU2–>
Ernie Ball VP Jr.
Miscellaneous Gear
Evidence Audio cables (Matt Solomon-made)
JJ tubes (Eurotubes-selected)
Curt Mangan pure nickel strings
Herdim blue picks (ya, ya, I know)
And last but not least, Brady Cases pedalboard case, made out of polypropelene, at Brady’s suggestion. Keeps that giant pedalboard surprisingly light. I can actually lift it into my car, but I still feel that everything’s very protected in there.
————————————
Rig Demo Video
Chapter Listing
0:00 Ambient Stuff
0:14 Rig Overview
0:33 ’96 G&L Strat
1:10 Prairiewood Hardtop
1:44 Godin FFX acoustic/electric dual run-through
2:15 Ambient Pad Rig
3:02 Matchless HC30 (modded)
4:11 65 Amps Cab (Scumnico & Blue)
4:28 Hartman Vintage Germanium fuzz
5:10 Fryette Valvulator
5:23 Skreddy Lunar Module silicon fuzz
5:55 Loop-Master bypass strip
6:02 Peterson Strobostomp tuner
6:07 Electro-Harmonix LPB-1 boost
6:11 Money-Saving Tone Tips (knob covers, strap locks, used gear)
6:46 Ibanez TS7 fuzz (modded, on hot mode)
7:11 Boss OD1 overdrive
8:00 Creation Audio Labs Holy Fire overdrive
8:39 Fulltone Fatboost v1
8:50 Electro-Harmonix LPB-1 boost
8:56 Overdrive Stacking Demo
9:53 (Effects run-through…no demo’s until the end of the section)
9:54 Loop-Master bypass strip
10:02 Arion SPH-1 phaser (’80′s)
10:10 Danelectro Tuna Melt tremolo
10:42 George Dennis optical volume pedal
10:53 Digitech Jamman Looper
11:18 Strymon Brigadier
11:26 Strymon Timeline (with demo)
12:35 Arion SAD-1 delay
13:02 Strymon El Capistan delay
13:28 Effects Demo of Entire Effects Section
15:02 Boss NF1 noise gate
15:22 Strymon Blue Sky reverb
16:25 Quick Tone Tips (capo’s slides, powering your board)
16:50 Ambient Looping and Effects Walk-Through
21:02 Completely Clean Tone
21:16 Same Clean Tone adding delay and reverb
21:32 Ending with some Wanna-Be Rock with the Lunar Module and Matchless
Second Example of Tone from This Rig
——————–
I hope that gives a very quick idea of what some of the rig can do, and how I do some of my basic effects. Obviously, there’s a ton more that this stuff is capable of, but I figured 22 minutes was high time to stop. Keep in mind as you watch and feel the need to advise me to sell my gear and feed a country, that this gear feeds me and my family.
This one pedalboard has to be able to create movie soundtracks, worship guitar, worship guitar while singing, r&b sessions, rock sessions, etc. I could split it up into a few different boards, but you’d be surprised how many times I’m asked to cross the ambient effects over style and genre lines. Secondly, 95% of this gear is bought used, and I’ll give a little secret…Guitar Center used section, in store and online. They often don’t know what they have or don’t care, as opposed to eBay and Gear Page, which know waaay too much.
And lastly, a good portion of this gear has been given by companies to demo, or by some of you kind blog readers, or as gifts on holidays when I just have as many watches and toiletry kits as I could ever use. Another secret…ask for eBay gift cards and save them up. This stuff has been collected over 10 years.
And having said all that, yes…it’s still probably more than I need. Tone is fun. Gear is funner.
Splendid.
Karl.
Scott Walker Guitars
Apr 13th
Not to ruin the discussion I didn’t start in the post below (hehe), but thanks to Facebook, I am now currently selling every piece of gear I own in order to obtain what I am dubbing the perfect mix of love and pirate tone:
Splendid. Oh so splendid.
Karl.
Kitsch, Klon’s, & Khloe
Apr 9th
I was in the gym the other day, bench-pressing my earth-shattering 33 pounds, and a show I did not know existed was on the television. I could not turn off said show, because the person who was in the gym before me was enthralled. This show was called ‘Khloe and Lamar’, and the entire thing centered around Khloe trying to get Lamar to eat a sandwich. It made my heart hurt for America a little bit. But it also made me realize that these are the things about which I write my bullet posts, and that I have not partaken of my kitsch (I have to admit, I don’t really know what that word means, but I do believe it makes me sound cool…one of those words that no one really knows what it means, which means you are free to use it and sound cool ad hoc…and let’s hope that one means what I think it means, too) blend of fake wit, real snobbery, and somewhere-in-between humility, in quite some time:
- Strat’s are the new Tele’s. I say that so I can feel validated playing one even when everyone else is too in the next two years.
- The internet is awesome. I saw a message board post accusing Klon-builder Bill Finnegan of continuing to build old Klon’s and sell them used on ebay for thousands of dollars. It said something to the effect of, ‘I have no proof of this, but I’m pretty sure…’ Freedom of speech at its finest.
- Speaking of Klon’s, the new one is not out yet, and has been promised for over two years now. People are getting irate. We deserve the new Klon now! In dire need, our only courses of action are to pay the outlandish used market price or buy a clone. Desperate times call for desperate measures. Because buying a different overdrive pedal isn’t even an option. No good recordings have ever been made without the use of a Klon. Hendrix? Page? Edge? Mayer? Clapton? Vaughan? If only they’d had a Klon so we could truly enjoy their tone.
- Why have I been using the term ‘in spades’ lately?
- Finished the trash can outro of a song in F# yesterday, with a little solo in the key of Fm. It was either terrible or a diminished 9th scale.
- Gave the technique of saturating your signal with gain pedals while pulling back on your post-gain volume pedal a try. Cool, yet different flavor of tone! I tried this because my volume pedal was halfway down, and I couldn’t figure out why my sound was so low, so I just kept adding gain pedals. Usually, when you have less volume, you check your volume controls. I did not. Those of you who were also playing your sixth Easter service in one weekend, will sympathize.
- So the verdict is in for me: JJ’s over Tung-Sol’s. My last bi-yearly tube replacement, I went with Tung-Sol’s to give te competition a try after a few years of almost exclusively JJ’s. One burned out my Valvulator, and the EF86 in my amp went bad way too quickly. In lieu of buying a new EF86, I’ve been using the first channel on the Matchless for the last couple weeks and very much enjoying it. But yesterday I remembered I still had the old JJ EF86 tube, rolling around in my rack drawer. I swapped it back in, and oh my. Tone. Other people say they have had the opposite experience with those two tube companies. In which case, play the one that works for sure. For me, JJ’s work.
- Going along with my recent facebook post, I continue to be blessed by people. At an evening service last night, the sound guy is a keyboardist who is one of the best musicians I’ve ever met, and does some professional musician work. He runs sound at that service because there was a need, and he can do more for the overall music from the booth than from the piano. People talk about the heart of worship, well that’s it right there.
- So I’ve been playing this Godin FFX hybrid guitar. It’s a 335 hollowbody style with an added jack for the piezo pickup. It’s the only acoustic/electric hybrid I’ve played where the acoustic side actually sounds halfway decent. Don’t know why more people don’t think of using the hollowbody model for the hybrids. It’s electric sound is already proven, but it also gets that sound from a hollow wooden chamber that is perfect to mic for an acoustic. However, that does mean that I’m now running my electric rig, my acoustic rig, my keyboard pad loop rig, and the click track, all while singing. I get off the stage and my head hurts. Oh, and sometimes mistakes are made.
- Where has the Skreddy Lunar Module been all my life?
- Lead by example.
- I was playing my ’96 G&L that I got for a screaming deal into my original Boss OD1 that I got for $30, and I realized that for as much as I rail against Guitar Center, a good portion of my tone comes from their used section.
- If your church isn’t doing ‘In Christ Alone’, then you need to be.
It works acoustic, full band, vocals only…, people actually sing and worship to it (novel concept, I know), and it is theologically rich. The lyrics remind why you started leading worship through music in the first place; and it wasn’t pedalboards, stages, Toms, smoke machines, iPad’s, amps versus direct boxes, internet gear forums, churches, or pretending to be Hillsong. There was a time when you wanted to worship Christ alone. I say this as much for me as anyone. I know it goes in waves in our lives and in Christian culture, but let’s not let the tide roll back out for a while. - I need to go take a shower. Cue the doorbell for my Fedex direct signature only package.
Splendid.
Karl.
Free Ambient Pads for Easter
Apr 5th
Hey everyone,
I know a lot of you are planning big things for Easter services at your church, and even though my ambient pads are free for anyone emailing me that they are for church or non-profit use, it’s possible that there are those who both don’t have the money and may feel a little uncomfortable asking for them for free. So, through Sunday, the price is set to zero on Bandcamp.
If these can help in any way in your church’s celebration of a huge and powerful God giving his life for people like us, but then conquering death, then I want them to be available for just that.
Click here to download the Ambient Pad Bases album.
Click here for a video demo and rundown of how to use them in a live setting.
What these in essence do, is allow no dead pauses in between songs, and fill in the gaps during the low parts of songs. But they fade into the background when the full band is in. My hope is that, during the craziness that churches sometimes become entrenched in during Easter, that having these pads taking up the dead space will allow you, as you lead worship, to focus less on making sure the music sounds good, and more on leading worship. Or, put another way…on Easter less, and Jesus more.
Splendid.
Karl.
Live
Apr 2nd
This is Joshua Bell. A few nights earlier, he had sold out a $100-per-seat show in a Boston theater. He decided to do an experiment and play in a New York subway and just see what would happen. Obviously, not a lot happened.
There’s a ton of conclusions to draw from this, but for me there are a few that standout:
1) Great music does not necessarily mean people will stop and listen.
Of course, that’s not really an excuse to tell yourself that you really are a musical prodigy, people just don’t ‘get’ your genius. So this point is works best when taken with a good dose of self-realism at the same time. hehe
2) Do we like art, or do we like being artistic? Would those people have jumped at the chance for a free $100 ticket to a Joshua Bell performance, but couldn’t care less if it’s just music in a subway?
3) Or do we need the cost of the ticket to let us know what good art is? Perhaps we’ve become unable to recognize it for ourselves.
4) I think the main thing for me is that there is some incredible music and incredible life going on all the time and usually we don’t care. Maybe because we can’t recognize it for what it’s worth, maybe because we actually enjoy the thought of it more than the thing itself…but it would be nice to actually realize life in all its beauty, and to live.
Splendid.
Karl.
P.S. Or maybe no one who rides the subway likes classical music. Or riding the subway means you have no time, even if U2 were giving a free concert down there. Heresy, I know.
P.P.S. This is in lieu of the promised pedalboard post, because yikes those things take a long time to film, write, and edit. Maybe I need a smaller rig. Nope.











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