I’ve been getting this sickeningly frightening feeling that were I to actually practice, and practice with a click track, and practice with a click track and a tuner, it just might make more of a difference to my tone than whether I play a Timmy or a Klon.
Oh, wait. I haven’t tried out all the different op-amp chips in the Timmy yet. Never mind! Sweet mercy! That was almost quite dangerous. And just in case it needs explanation (which it doesn’t), ‘quite dangerous’ in its literal translation means, ‘almost giving up on the idea that tone comes not from hard work, but from magic boutique-ness.’
And for those of you who may be new to this blog, and actually found this post while searching what would be the ‘hands down tone for days nails David Gilmour best op-amp for your Timmy’, and are thinking that I’m just making fun of people who don’t plug straight in to the amp……just take a quick look at the archives on the right, and the scores of pedals that have been my ‘I didn’t know tone until the month I didn’t eat to buy this pedal’ pedal, and you will quite sadly realize that zero of this post has been tongue-in-cheek. Yep. In some deep part of my brain, I truly believe that the Klon Centaur renders practice obsolete.
But I’m recovering. With a click track. And a tuner. And a Timmy overdrive pedal? Perhaps…just perhaps…and I realize that by saying this I am now alienating both camps, and creating my own camp, a camp called ‘Loneliness’……that perhaps these things can coexist. Maybe tone can be in the hands and in the delay pedals? I’m starting to think so. But only if it’s a Damage Control Timeline.
P.S. Oh, and ‘B’ is up in the free ambient pads section.