R&B?!
I’m not exactly sure how this happened, but I played for an R&B artist the other night. And I gotta say, I have a huge, newfound respect for that style of music. Not so much melodically in what I played, but in order for the vocals to come through right, you’ve got to be very, very tight rhythmically. I’m not so sure I was, but it definitely triggered in my mind how sometimes rhythm can actually be more important and more difficult to play than lead playing. Secondly, you’ve got to sit way back in the mix…just adding texture; but you don’t want to be too ambient, because then you start to lack rhythmically. So good chords voicings, tight rhythm, and strats help with this. Overall, a lot was learned, I was stretched, and it’s probably the first time ever that my pedalboard has seen six songs in succession without the benefit of a delay pedal. Also, I now like a Beyonce song. Please be gentle.
Splendid.
Karl.
P.S. Anybody want a Varidrive?
Sad, isn’t it.
This entry was posted by Karl on 18 April, 2010 at 5:55 pm, and is filed under Guitar Playing Posts. Follow any responses to this post through RSS 2.0.You can leave a response or trackback from your own site.
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hey karl, when I was just starting to play guitar, i thought the best way of learning rhythm was comping some disco music from the 70/80s … so i tried comping a lot of stevie wonder, michael jackson, earth wind & fire, etc … i did learn the a lot but i can’t say i am all that good … hehe
i’ve gotten away from playing much later on as i got introduced to a much rockin’ genre. maybe it’s time to go do some r&b comping again
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#6 written by Cam 3 years ago
ok – thread hijack…
anyone with experience with a Bugera v22? I am selling my 50watt “valvestate” (lack of knowledge = bad purchase). I have been in the market for a Vox AC4TV due to tubeness and price, but now the v22 has come into my mind and it has pretty good reviews.
Karl – i know you would say BJ + valve swap + speaker swap, but this is out of my price range. Second hand is also out of the question as Australia just doesnt have enough people for a good secong hand market in amps!
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#9 written by JayDub 3 years ago
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#10 written by Forgivenick 3 years ago
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Cam–right on! Ya, I’ll bet that’d sound way better…just on wood alone. I can’t imagine Vox using the best woods for a combo that comes at that good of a price. Let us know how the project goes!
JayDub–with a Weber Blue? Nice. Bet that sounds pretty good!!
Forgivenick–right on. Man, the AC4 seems to have been a great choice for Vox (or Korg…who owns them now?)!
Nater2–sweet! I think it depends on how much clean headroom you’ll be in need of on the AC4. Because if you need it to be fairly clean, and you’re playing with an uncaged drummer, maybe not. But if you like it a little more broken up, and/or you’re playing in a church with a caged drummer or an electronic drum kit, then it might be just the thing.
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#13 written by LePaul 3 years ago
Hey Karl,
I was thinking exactly wat Sal wrote while reading this post. It’s just such a different genre to play, almost like picking up a completely different instrument. On the other hand, switching your delay for a wah just might help.
Speaking of which, (yes… this introduction was as transparant as cellophane) I have a wah-related question for you and anyone who would like to help out. I feel the Matchless HC30 does not like my wah very much. I have recently bought a GREAT wah (RMC-1) and it sounds great on all Fender etc. amps, just not on the Matchless. I guess the best way to explain it is that it just doesn’t sound smooth.
Does anyone else have the same experience or am I just doing something wrong? I’m plugging in with just the wah between guitar and amp and the same thing applies for both clean and overdriven sounds.
By the way, if you feel this is not the place for questions like these, I would happily switch to e-mail, just don’t have your address.
Kind regards,
Léon
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haha I agree with you on wah for R&B, and I thought your introduction was awesome! hehe
I actually have experienced that with wah’s on EL84-style amps. Wah’s kind of add their own raw overdrive, and EL84 amps already have that sound. So both together sometimes doesn’t work. I’ve experienced this with the three or four different versions of the RMC wah, the Budda wah, a CopilotFX filter, and a couple others I can’t remember right now. The Ooh Wah seems to match my HC30 very well though, so I’m thinking of trying out the Wah Probe. But thus far, I’ve always gotten more useable wah sounds out of a smooth phaser and a volume pedal than I have out of a wah.
Nice to know I’m not the only one!
Oh, and no worries for being off-topic. My posting is so sporadic anyway…there really aren’t topics to be off of. haha -
#15 written by Cam 3 years ago
Nater2 – i am going for an AC4 due to the portability and low volume tube crunch. As KArl said it wont have much clean headroom before it starts to break up… that doesnt worry me much as the only time I play with a drummer is at church, and then i have my amp miced and some extra volume from the monitors. I think it will also solve a problem of stage volume from my amp as i dont have to run it very loud to get the edge of breakup….
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#17 written by Nater2 3 years ago
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My fav style of playing… no out front guitars. A current band I play in is R&B Gospel. Rhythmically you have to be on your game and have quite a few chord grips and inversions for those grips to create that “texture”.
Glad you had a chance to do it and hope you get more chances to learn that style of playing it will only make the style you play now easier.
Less is best…