Strymon Brigadier Demo and Free Albums

Strymon has taken over the world.

From their humble beginnings with the huge Damage Control pedals that no one was quite sure what they were, to Damage Control pedals crushing the competition (both in sound quality and by, well, literally crushing them…in fact, the other day I found a Malekko pedal I forgot I had…been hidden under my Timeline for years), to being the company that can put out a blasted Leslie Sim pedal (a Leslie Sim, folks!), and have it sell out in 2 hours. I don’t even care if they only made like, 10 of them. Name me one other company that can sell 10 rotating speaker simulator pedals in a week, let alone 2 hours.

And of course, as is my custom here, they were too popular for me to have on my board. It’s true. Boss DD20? Didn’t like it until everyone started selling theirs. Tim pedal? Loved it until everyone started owning one. Then I sold mine. Yep. Of course, I do want a Tim pedal again, and now I am officially a Gear Page guitarist with a Strymon pedal on my board. (Oh wait, I need a Pharaoh Fuzz now, too. Blast…I’ll never be cool enough. ;) You know, I am certain there are psychology classes out there where the entire semester’s assignment is just to read the posts on Gear Page. It’s a strange and frightening world over there.) And that Strymon pedal is probably not going anywhere for a while.

Onwards! (What?)

The Clean Tone

Godin SD fat strat–>Fryette Valvulator pushing the signal through my Loop-Master’s (all disengaged except where noted)–>Matchless HC30–>65 Amps birch cab–>Celestion Blue mic’d

Pedals Used

–Strymon Brigadier
–Fulltone Fatboost
–Damage Control Timeline
–Arion SAD-1

Possible Biases

–I got this for cheap and wanted to make some money on it.

–But it does look lovely

–It’s still too popular for my tastes

–But I’ve used it live the last week, and in between songs I pretended to mess with knob settings so that I could lick it.

The Demo

Just a gorgeous pedal. (Also, 1,000 points to anyone who counted how many times I said ‘Let the pedal do what it will.’ Yikes. Learn some more phrases, homeslice. And ya, that is for some reason how I refer to myself.) I did not expect that sound when I first plugged in. I have not heard a delay that stays out of the way of your guitar like this one. And of course, I have not heard a delay decay so perfectly into a reverby lushness since the DC Timeline.

The Good

–Amazing modulation.

–Great sound; not fully digital, not fully analog-sounding. It’s its own thing, and I dig it.

–The ability to have a preset is an added bonus.

–That perfect Strymon/DC decay.

–Spillover, and controls that interact with the spillover while the pedal is off.

–Great sounding bypass, even with spillover. Sounds almost completely transparent, and just like the Timeline’s spillover bypass sounds.

–Infinite repeats and oscillation. Most delays have either one or the other, or it’s very difficult to find the exact setting on the knob where it infinitely repeats before going into oscillation.

–Once again, and most companies don’t seem to think about this, but the ‘weight’ to the decayed notes is just rad. Timeline, Replica, and now Strymon…have that weight. Think of it as most delayed stuff as the cgi in most movies…balloon-like, and you can tell there’s no weight to the animation. And the Brig is like the Christopher Nolan of delays; when it wants to get the effect of a fight scene in a rotating room, he builds a rotating room. Hence, the scene looks real and has weight. That’s the Brigadier.

–Looks like a champ.

–Contrary to what I’ve heard from most folks, I actually liked the weird modulation that happens to the delay while you tap a new tempo.

The Bad

–This is only the second delay (Empress SuperDelay being the other one) I have ever owned where the tap tempo is on the left, and the on/off is on the right. Timeline, Replica, DD20, Timefactor…all have the tap on the right, and the on/off on the left. Which makes sense to me; on/off switch at the end of the circuit by the output jack. This isn’t a big deal, but it has taken some getting used to…especially with a Timeline and DD20 on my board also.

–To access the filter control, you have to hold both switches, and then the Bucket Loss knob becomes the filter knob. Just seems odd to me, and difficult to do.

–I do wish the favorite switch was on the actual pedal, rather than having to get an external one, but I am not a tech and have no idea how difficult that may have actually been to do.

The Verdict

If you’ve ever wanted an analog delay, but needed the versatility and features of a digital delay, then the Brigadier is the ticket. (Bringing back the Jon Lovitz. Yep.) If you’ve ever wanted a delay that says, ‘That’s okay, you just play…I’ll sit in the corner and quietly make you sound good,’ then this is the ticket. If you’ve ever wished like crazy, like I have, for a pedal that you can hit at the ends of phrases to wash your decay out into oblivion, it’s also the ticket. And if you’ve ever wanted modulation that says, ‘Here I am world. Love me.’ Then this is it. Now, if you’re looking for crisp digital delay, this would not be it. But give it a shot. At least give it the chance to tell you that no…you’re in fact actually not looking for crisp digital delay. You’re looking for this.


(So…Jon Lovitz was in Three Amigos, and it made me think of Chevy Chase. And guitars. Ya, there’s not a while lotta logic to it. But…how can you go wrong with that picture?)

And for the record, this is of course a digital delay. But it doesn’t sound like a digital delay. Neither however, does it sound exactly like an analog delay. I think Strymon has succeeded in bringing a new delay player to the table; one you never would’ve known you needed. But you so do. I’ll be keeping this as my ambient machine, that also has the ability to have tap tempo a favorite switch plugged into it, where I can store a preset of just regular delay timed delay to use with the tap tempo. Totally takes away my reasoning for not being able to get just an ambient delay because it doesn’t do anything else and I am poor and need things to do many things. It doesn’t get much better than this. Sure, I’m a little late to the party, but I’m also pretty proud of myself for being able to wait a year and buy this for a reasonable price, rather than for a 150% markup. Very un-me-like. Oh, and also, if you want to buy it…now that the heat has died down a little and they actually stay in stock for a bit, go here…Strymon. It won’t make you a rockstar, but……oh, who am I kidding. Yes, it will make you a rockstar.

Splendid.
Karl.

P.S. Free albums!! I’m still not sure exactly how much crossover this site should have with my ambient music, but for now, it’s still happening. So apologies to those of you that hate that; but here it goes. The support for this new venture has been really astounding for me; not earth-shattering by a long shot, but more than I expected! So I’m just kind of running it out and seeing where it goes!

To that end, and to say thanks, I’m giving away some free albums to folks that may like the ambient stuff. Please go to:

karlverkade.com

…for details. Thanks again, guys.

70 thoughts on “Strymon Brigadier Demo and Free Albums

  1. i’m glad your diggin it … don’t worry, it won’t be too popular once the timeline comes out :)

    Oh yeah, you definitely need a Pharoah and an Alpha Drive and a Flashback and a Fetto … just never ends :lol:

    • funny stuff!

      I don’t what is funnier on TGP:
      Strymon tap tempo outrage
      PGS Andy Toneprint outrage
      Why is the new Timeline taking so long! I’m going to have an aneurysm! :)

      • haha Give it enough time, and the flavor of the month always turns into the opposite. What’s the Toneprint one? I don’t think I’ve run across that one yet! haha

  2. I’m tempted to jump on the Eventide Space bandwagon, even if it does convert your dry signal to digital, I think it might be worth it.

  3. So, I have watched maybe 15 different YouTube videos about the Brig and none of them made me want one at all. I also thought, “Wow it sounds analogue like an analogue delay… so what?”

    After seeing your video, however, I want one! Dang it… I don’t think I have room on my board. It would be my 4th delay pedal. I already have 3 can make analogue sounds. All reasons why I shouldn’t buy one. None good enough for me not to.

    Great demo.

  4. Out of curiosity, do you ever mic’ up the other speaker in your cab (is the the g12-75 or something)? Also, is it bad that I don’t want to like this on Facebook because I like that it’s a private haven of tone, and that could draw onlookers?

    I haven’t listened to the demo yet but about to–I’m in my finicky stage right now–I’ve been looking at the Memory Lane Jr., and the Brig seems to be a bit out of my price range–but it also seems to be quite nice. Time for the ears to take a listen.

    • hey Caleb … you can actually get the Brig now for less than what you would pay for a new MLJr … or if you wait ’til summer, you can probably get Brig for around $200 :)

      fwiw, it’s no secret that I’ve had a Brig (sold) and now an MLJr. If you want simple no-frills delay, MLJr. If you want to tweak to your hearts content and make a delay sound that is unique to everybody else, Brig … both sounds great though.

  5. Is it just me or does the intro remind anyone else of Monty Python, with the script at the bottom…”Also wik.”

    Well, anyway, I’m impressed. Karl could make any delay sound good, and I think he knows how to make the Brig shine. And I’m sure it’s fantastic anyway, but he really knows how to dial in good delay sounds. Some interesting techniques too–turning the delay on at the end of phrases–something I wouldn’t think to do on my own.

  6. Samuel–ya, it’s real lush…such a surprising sound out of that little box! :)

    Peter–haha For sure. I’m definitely waiting…very impatiently!!

    Rhoy–hahaha Yep, that’s right…I forgot I need a Flashback. And a Hall of Fame. ;) We should put together a virtual Gear Page ‘Board of the Week’ here; that way everyone knows how to be cool.

    Samuel–yes, the tweaking options on that thing look amazing…and they’ve realized the whole conversion thing on the series the Flashback is in. Maybe it’s a circuit space issue with the Timefactor/Space series?

    Sal–haha Did you expect anything less? ;) Luckily, I understand that I am quite long-winded, and if you go to the video on youtube’s actual site, and click the more info button, I have the content of the video listed out so you can skip through by chapters.

    Josh–that was a great comment, bro. “None good enough for me not to.” lol :)

    Caleb–yes, I do mic the other speaker at times (it’s a G12H-30). On the album, on the pieces with multiple tracking, some of the guitars are with the G12 mic’d. In fact, my next pedal demo is a reverb shootout, so that might be a good one to mic it for. It has a slightly bigger and rounder sound than the Blue, with less harmonics and less cutting mids.

    And no, you should never like this post on facebook! Let’s keep the Brigadier to ourselves!! hehe Oh wait…that might be too late. We need to find a new company that sounds like Strymon, and then keep it to ourselves! hehe ;)

    Rhoy–selling things to buy things. Tsk. You’re supposed to buy things and tell yourself you’re going to sell stuff later, but then hear how good they sound together, and then buy a bigger board. ;) hehehe

    Caleb–thanks for the kind words. Also, yes…I did think about having the credits just keep rolling. ‘Elephants trained by…’ ;)

  7. I loved my Brig from the moment I plugged it in. It’s actually the only TGP hyped pedal I’ve ever bought and kept on my board, which I think says a lot about just how good it is.

  8. Really! That does say a lot. haha And the fact that you’ve kept it, rather than selling it when the flavor-of-the-month period was over. ;) Or, do you still have it?

    • Of course I still have it! If I were in a dire financial situation, I think it more likely that I’ll sell a limb and a kidney or two, before even considering selling it. Until something better comes along…or I run out of limbs and internal organs to sell. But even if something else were to replace the Brig, I wouldn’t be happy about it…except if what replaces the Brig is even better. And then I’ll probably buy it back after a while. And then repeat the process.
      Man, I have a horrible disease. I blame TGP and the internet and take no personal responsibility for any of it. ;)

    • I aim to please… :) And I, like many guitar players, aim to get that tone in my head. Strangely, people who hear voices in their head tend to get locked up, but us guitarists who hear tone in our heads are allowed to freely roam the streets…

  9. MikeZA–haha Way too true!! And do we do more damage to society? I’d like to think yes. ;)

    BobbyH–haha Nice. I have not tried the Capistan yet, apart from hearing it on friends’ boards. I rarely, rarely, buy something new, and right now the used prices are the same as, if not more than, new ones. But hopefully once the Timeline comes out, I’ll be able to grab one up for cheap. haha

    From what I’ve heard on friends’ boards, it does sound very good, very natural, and with the same decay and weight as the Brig.

  10. Thanks for that pic from Three Amigos…now I have the song from that scene stuck in my head…

    “Bluuuue shadows…on the traaaaiiiilll….”

    Ack!

    G’night Ned.

  11. haha For real? I think it’ll be a fun gimmick that’ll keep things light on the team for 2 weeks tops. Then you’ll actually want to start using the space for more pedals. :)

    • Yeah! Of course, everyone on my team has no clue about pedals or anything. I am leading a youth worship band that everyone (except for me) has less than 1 yr experience. It’s coming along great, but they don’t know about gear at all! haha.

      Maybe I can get them all to get a circuit board! :)

  12. I’ve thought about putting a mother board from an old computer on my board. Then I can tell people the CPU fan is only for people who play as smokin’ hot as I do.

    I would have to do a true bypass mod on it first though. Maybe we should all add true bypass to our computers. Then our conversations about tone would sound better!

    Tube driven MacBook anyone?

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